Christian is the regarded caretaker of a contemporary workmanship historical center, a separated yet gave father of two who drives an electric auto and backings great aims. His next show is “The Square”, an establishment which welcomes bystanders to selflessness, helping them to remember their part as capable kindred people. In any case, once in a while, it is hard to satisfy your own particular goals: Christian’s absurd reaction to the burglary of his telephone drags him into disgraceful circumstances. Then, the historical center’s PR office has made a startling effort for “The Square”. The reaction is exaggerated and sends Christian, and in addition the exhibition hall, into an existential emergency.

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